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But I just made sure they stayed on point, and on topic, and just avoided any way that they may interpret something otherwise. You don’t want to overdo it, you don’t want to under-do it.
And so when I took it to class, the teacher complimented two things. That’s the first time I heard I was a very good anything. It pointed me to a direction I thought at least I had an opportunity to be good at. And the difference between commercial art and graphic design is that the commercial artist creates the piece of art that goes into an ad, as an example.And that’s the Pidgin version of, If you really want to, if you’re committed to this, you can. Even before that, a teacher’s encouragement had gone a long way with Momi. And the assignment was that we should select something that we thought was very unique and unusual.So, at nine, you went to live with your mother and father in Hilo? And that was when I had the experience of living fulltime with a family that already had a pattern to their life. The incident I remember was when somebody cut the tree means cutting off a source of food. There was this upside-down hibiscus I used to see—by the way, we had to go to Japanese school too. 14, 2010 Momi Cazimero, one of Hawaii’s most accomplished and respected graphic artists, talks story with Leslie Wilcox about how she turned adversity into success when she opened Graphic House – the first woman-owned design firm in Hawaii.Momi Cazimero Audio Momi Cazimero Transcript Transcript I think there was enough of a—what I call a competitive spirit about me that sometimes I wanted to do it, just because somebody said I couldn’t. And so if somebody said I couldn’t, that was a reason to do it.
She said, What I liked about what you did was that you didn’t give me the minimum, you gave me something more than I asked. She set something in place for me that became part of the way I worked. And it’s interesting, because then when I went to Kamehameha, I got selected to do art projects. So you either photograph something, or you illustrate something that depicts the subject matter.